Vivek Gupta is an art historian of the Islamic, South Asian, and Indian Ocean worlds. His first monograph will be based on his PhD, Wonder Reoriented: Manuscripts and Experience in Islamicate Societies of South Asia (ca. 1450–1600), at SOAS University of London, History of Art (2020). His thesis offered the first full-length study of how the Islamicate cosmography transformed in South Asia through an analysis of roughly fifty illustrated manuscripts.
Gupta’s educational and professional background spans the US, UK, India, and Egypt, and art historical and philological training. From June to November 2019, he held a research placement at the British Library on illumination in Persian manuscripts. He was Assistant Curator/Fellow for Islamic and South Asian Coins (2016-17) at the American Numismatic Society in New York. In 2017, he curated the numismatic section for the National Museum of Qatar’s inauguration. He has been working on Deccan art since 2012-13 when he served as a research assistant in Islamic Art at the Metropolitan Museum of Art for the exhibition, Sultans of Deccan India, 1500-1700. In 2014, he had a Smithsonian Fellowship at the Freer|Sackler Galleries to work on the Freer Ramayana as well as the Hindi poetry and manuscripts of ‘Abd al-Rahim Khan-i Khanan.
Gupta earned a BA in Arabic and Comparative Literature at Washington University in St. Louis during which and after he lived in Egypt and worked on Modern Arabic Literature under the supervision of Professor Mohamed Salah Omri (Oxford). He completed his PhD in History of Art from SOAS, University of London under the supervision of Professor Scott Redford.
Since 2020, Gupta has collaborated with the Deccan Heritage Foundation and HH Sri Srikantadatta Narasimharaja Wadiyar Foundation, Mysore, to produce the international webinar, From Konkan to Coromandel: Deccan Heritage, Art, and Culture. The focus of this scholarly engagement has been to make new research on the Deccan freely available to a global public. It seeks to bring together research on both the Northern and Southern Deccan regions of India cutting across Hindu, Muslim, Jain, and Buddhist material cultures.
At Jesus College’s West Court Gallery, Gupta has curated Shahzia Sikander: Unbound, which features an outdoor sculptural installation and new paintings in response to the collection of the Fitzwilliam Museum. He is also on the Committee of the Intellectual Forum.
- “Images for Instruction: An Illustrated Dictionary in Fifteenth-Century Sultanate India (British Library Or 3299),” Muqarnas: An Annual on the Visual Cultures of the Islamic World, vol. 38, 2021.
- “Contemporary Appropriations of the Illustrated Manuscript: Shahzia Sikander’s Disruption as Rapture,” in Intersections: Art and Islamic Cosmopolitanism, ed. Melia Belli Bose, 172-203, Gainesville: University of Florida Press, August 2021.
- “Remapping the World in a Fifteenth-Century Cosmography: Genres and Networks between Deccan India and Iran,” Indo-Persian Manuscripts, ed. A.C.S. Peacock, special issue of Iran: Journal of the British Institute of Persian Studies, vol. 59 no. 2 (Autumn 2021): 151-168.
- “Splendour of the City, Nagarshobha: Textile Culture of Mughal Burhanpur,” in Reflections on Mughal Art and Culture, ed. Roda Ahluwalia, 229–53, New Delhi: Niyogi Books, 2020.
- Review: The Courts of the Deccan Sultanates: Living Well in the Persian Cosmopolis by Emma Flatt, the Journal of the Royal Asiatic Society, 2021.
- Gupta, Vivek. “Interpreting the Eye (‘ain): Poetry and Painting in the Shrine of Ahmad Shāh al-Walī al-Bahmanī (r. 1422—1436).” Archives of Asian Art, 67, no. 2 (2017): 189-208.
- Gupta, Vivek. “Review of Cultural Exchange in Eighteenth-Century India: Poetry and Paintings from Kishangarh by Heidi Pauwels.” caa.reviews, November 29, 2017.
- Gupta, Vivek. 2018. “Ghulām ‘Alī “Āzād” Bilgrāmī,” and “ ‘Abd al-Qādir Badā’ūnī,” in Encyclopedia of Indian Religions, Arvind Sharma ed.
- Gupta, Vivek. forthcoming. “Splendour of the City: Textile Culture of Mughal Burhanpur,” in The Art and Culture of Mughal India, New Studies, Roda Ahluwalia ed.
- Gupta, Vivek. forthcoming. “Articulations of the Illustrated Manuscript: Shahzia Sikander’s Disruption as Rapture (2017),” in Intersections: Visual Cultures of Islamic Cosmopolitanism, Melia Belli and Saleema Waraich eds.
- Toys and Ephemera in a fifteenth century multilingual illustrated dictionary from India, British Library, Asian and African studies blog, 2020
Peer-reviewed Journal Articles and Book Chapters
- “Interpreting the Eye (‘ain): Poetry and Painting in the Shrine of Aḥmad Shāh al-Walī al-Bahmanī (r. 1422—1436),” Archives of Asian Art 67 no. 2 (2017): 189–208.
- “Splendour of the City, Nagarshobha: Textile Culture of Mughal Burhanpur,” in The Art and Culture of Mughal India: New Studies, ed. Roda Ahluwalia, New Delhi: Niyogi Press, in proofs.
- “Appropriations of the Illustrated Manuscript: Shahzia Sikander’s Disruption as Rapture (2017),” in Intersections: Visual Cultures of Islamic Cosmopolitanisms, ed. Melia Belli Bose, Gainesville: U. Florida Press, in proofs.
- “The Voice of the Indian Cuckoo in Arabic: The Adaptive Capacity of Ghulām ‘Alī “Āzād” Bilgrāmī’s Poetics in the Eighteenth Century,” accepted in the Journal of South Asian Intellectual History, Spring 2021.
- “Seeing the World from the Deccan: The Biography of a Persian Cosmography (ca. 1441—1650),” article forthcoming for a special issue of Iran: Journal of the British Institute of Persian Studies, ed. A.C.S. Peacock, Autumn 2021.
- “How Persianate is It? A Sixteenth-Century Cosmography from India,” article forthcoming for an edited volume, Persianate Cultures of Power and the Creation of Afro-Eurasian Political Culture with the Getty Research Institute Publications, ed. Matthew P. Canepa.
- Cultural Exchange in Eighteenth-Century India: Poetry and Paintings from Kishangarh by Heidi Pauwels. caa.reviews, November 29, 2017.
- “Ghulām ‘Alī “Āzād” Bilgrāmī,” and ” ‘Abd al-Qādir Badā’ūnī” in Encyclopedia of Indian Religions, eds. Arvind Sharma et al. 2018.
- “The Mouse and the Cat (Mush u Gurbih) by ‘Ubayd Zakani (1319-70)” in Masterpieces of the Jaipur City Palace Museum, eds. Giles Tillotson and Mrinalini Venkateswaran, forthcoming.